Permanent Collection, McIninch Gallery
Permanent URI for this collection
The McIninch Gallery is building a permanent collection of art supporting the university's curricula and providing a source of enjoyment, enlightenment and beauty to all who visit.
Images of the works in the permanent collection are being added on an incremental basis.
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Item Brazil: "Bahiana"(1955) Peacock, AdaItem Rosh Hashanah Dinner(2008) Yoav, HoreshRosh Hashanna Dinner is a photograph depicting the movement and passage of time. Visualized through long exposure, the traces of a lively dinner party echos in the space. Rosh Hashanna Dinner is a Photograph from Yoav Horesh's series Intransition, a series of photographs that concerns time, change, growth, and evolvement. As much as the work related to Yoav Horesh's own experiences, it also served as a visual diary and related to collective history and memory. In Rosh Hashanna Dinner, and entire duration of a holiday dinner is being compressed into a single image.Item Shebop(2019) Saar, AlisonCopacetic, published in 2019, is a suite of eight multi-block linocuts on handmade Hamada Kozo, backed with Sekishu Kozo, based on images created in 2018 at the 125th Street subway station in New York City. Saar expanded her original project, Hear the Lone Whistle Moan, and created Copacetic, a panoramic scene of imagined dancers, singers, musicians, and patrons enjoying Harlem’s heyday of the 1930s and 40s. Copacetic (the installation) comprises 24 laminated glass panels installed throughout the four glass shelters along the platforms. The upper windows are inspired by the Harlem-125th Street Station’s wrought iron work and designs from the African diaspora. The glass panels were adapted from Saar’s artwork, which as she explains, “gives a nod to the work of the many great African American artists of the Harlem Renaissance that have used the same medium in their practice, such as Elizabeth Catlett, Hale Woodruff and Aaron Douglas.” Saar’s palette of deep reds, blues and yellows introduces a vibrant graphic quality to the platform’s shelters, illuminated by the rising and setting sun over Harlem. Saar’s projects at the Harlem-125th Street Station encourage preservation of Harlem’s great legacy and celebrate its rich history.Item Lady's Slipper(2002) Eastman, Michael H.A single lady's slipper fills the foreground against a forested background.Item Ocean Oil Pour(2019) Cardelus, MaggieOcean Oil Pour is part of Maggie Cardeuls' 2019 body of work called Split sun which revisits American Landscape Photography using crude oil as a painting medium in order to create evocative works that suggest a new more problematic American Identity brought by the burning and spilling of fossil fuels.Item Oil Burst(2019) Cardelus, MaggieOil Burst is a photo painting from Maggie Cardelus's most recent body of work called Split Sun, which revisits American landscape photography using crude oil as a painting medium in order to create evocative works that suggest a new more problematic American Identity brought by the burning and spilling of fossil fuels.Item Oil Storm(2019) Cardelus, MaggieOil Storm is part of a larger body of work by Maggie Cardelus called Split Sun. It consists of 16 photo paintings. Split Sun revisits American landscape photography using crude oil as a painting medium in order to create evocative works that suggest a new more problematic American Identity brought on by the burning and spilling of fossil fuels.Item Thinker(2012) Eisenman, NicoleItem Man Holding his Shadow(2011) Eisenman, NicoleItem Maggie: St. Mary’s County, MD(2016) Rosato, NikkiItem Untitled ( Object) XI(2017) Rosato, NikkiUntitled (Object) XI is a cut paper image exploring the perception of object versus the individual. Part of a bigger series of works called Object, each piece creates a kaleidoscopic pattern where the object’s overall shape and its individual human elements challenge each other through visual flux.Item Untitled (Object) III(2017) Rosato, NikkiUntitled (Object) III is a cut paper image exploring the perception of object versus the individual. Part of a bigger series, Each piece creates a kaleidoscopic pattern where the object’s overall shape and its individual human elements challenge each other through visual flux.Item Twaze(2018) William, DidierItem Night Hunter Collage #58(2011) Steers, StaceyNight Hunter collage #58 is one collage piece out of around four thousand created to make the film Night Hunter, a fifteen-minute handmade film by Stacey Steers. Night Hunter evokes a disquieting dreamscape, drawn from allegory, myth, and archetype.Item Night Hunter Collage #54(2011) Steers, StaceyNight Hunter collage #54 is one collage piece out of around four thousand created to make the film Night Hunter, a fifteen-minute handmade film by Stacey Steers. Night Hunter evokes a disquieting dreamscape, drawn from allegory, myth, and archetype.Item Night Hunter Collage #71(2011) Steers, StaceyNight Hunter collage #21 is one collage piece out of around four thousand created to make the film Night Hunter, a fifteen-minute handmade film by Stacey Steers. Night Hunter evokes a disquieting dreamscape, drawn from allegory, myth, and archetype.Item Night Hunter Collage #39(2011) Steers, StaceyNight Hunter collage #39 is one collage piece out of around four thousand created to make the film Night Hunter, a fifteen-minute handmade film by Stacey Steers. Night Hunter evokes a disquieting dreamscape, drawn from allegory, myth, and archetype.Item Night Hunter Collage #21(2011) Steers, StaceyNight Hunter collage #21 is one collage piece out of around four thousand created to make the film Night Hunter, a fifteen-minute handmade film by Stacey Steers. Night Hunter evokes a disquieting dreamscape, drawn from allegory, myth, and archetype.Item " Be Happy - Go Lucky"(1951) Artist, UnknownA full-page colo 1951 magazine advertisement for Lucky Strike, copyrighted by the American Tabacco Company. Several images, the main one being a fishing motif, with a woman holding a stringer of fish; the other two a world explorer with a globe and a woman in a navy uniform. All images are accompanied by jingle ending slogans.Item Lookum Here! What Might Have couldve been(2016) Gonzalez, Raul IIITwenty individual drawings bound in a handmade book with original end pages, fabric slipcase.