The French modern state: realizing the shift in architecture, art, and society in the 19th century

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dc.contributor.advisorDenning, Robert
dc.contributor.advisorChung, Yun Shun Susie
dc.contributor.authorLorenz, Dorothy Marcelle
dc.contributor.committeeMemberChan, Christopher
dc.date.accessioned2018-01-04T17:42:30Z
dc.date.available2018-01-04T17:42:30Z
dc.date.issued2017-11
dc.description.abstractThe 19th century in Paris France is best known today as one of the most influential, industrial, and modern periods of the modern era. Its art was changing the way the art scene moved and how art was displayed and sold. Artists like Edgar Degas, Claude Monet, and Pierre-Auguste Renoir, were some of the painters that helped this evolving art culture that forever changed the way art was viewed and expressed. Looking at the art helps us to see parts of the past that have long been forgotten or overlooked. What most don’t see is that the historiography of the 19th century leaves out important connections to the art, architecture, and science of Paris France. Gaps can be seen in the research regarding the architecture, art, and technological advances that were taking place during 1830-1899. This analysis will look to answer questions regarding connections made to the art and architecture of 19th century Paris France. In respect to the archival arrangements that are at the Art Institute of Chicago, there will also be a public program made for this project whose target is students ages 14-18 years in age. This public project will teach them about the connections that can be made to art history and the changing architecture of Paris. (Author abstract)en_US
dc.description.bibliographicCitationLorenz, D.M. (2017). The French modern state: realizing the shift in architecture, art, and society in the 19th Century. Retrieved from http://academicarchive.snhu.eduen_US
dc.description.degreeMaster Artsen_US
dc.description.programHistoryen_US
dc.description.schoolCollege of Online and Continuing Educationen_US
dc.digSpecsPDF/A-1ben_US
dc.identifier.urihttps://hdl.handle.net/10474/3200
dc.language.isoen_USen_US
dc.publisherSouthern New Hampshire Universityen_US
dc.relation.requiresAdsobe Acrobat Readeren_US
dc.rightsAuthor retains all ownership rights. Further reproduction in violation of copyright is prohibiteden_US
dc.rightsHolderLorenz, Dorothy Marcelle
dc.subject.lcshSouthern New Hampshire University -- Theses (History)en_US
dc.subject.otherhistoryen_US
dc.subject.otherart historyen_US
dc.subject.otherarchitectureen_US
dc.subject.otherParis (FR)en_US
dc.subject.other19th century architectureen_US
dc.subject.other19th Centuryen_US
dc.subject.otherFranceen_US
dc.subject.otherClaude Moneten_US
dc.subject.otherEiffel Toweren_US
dc.subject.otherPierre-Auguste Renoiren_US
dc.titleThe French modern state: realizing the shift in architecture, art, and society in the 19th centuryen_US
dc.title.alternativeThe French modern state: realizing the shift in architecture, art, and society in the nineteenth centuryen_US
dc.typeThesisen_US

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