Permanent Collection, McIninch Gallery

Permanent URI for this collection

The McIninch Gallery is building a permanent collection of art supporting the university's curricula and providing a source of enjoyment, enlightenment and beauty to all who visit.

Images of the works in the permanent collection are being added on an incremental basis.


Recent Submissions

Now showing 1 - 5 of 274
  • Item
    Brazil: "Bahiana"
    (1955) Peacock, Ada
  • Item
    Rosh Hashanah Dinner
    (2008) Yoav, Horesh
    Rosh Hashanna Dinner is a photograph depicting the movement and passage of time. Visualized through long exposure, the traces of a lively dinner party echos in the space. Rosh Hashanna Dinner is a Photograph from Yoav Horesh's series Intransition, a series of photographs that concerns time, change, growth, and evolvement. As much as the work related to Yoav Horesh's own experiences, it also served as a visual diary and related to collective history and memory. In Rosh Hashanna Dinner, and entire duration of a holiday dinner is being compressed into a single image.
  • Item
    (2019) Saar, Alison
    Copacetic, published in 2019, is a suite of eight multi-block linocuts on handmade Hamada Kozo, backed with Sekishu Kozo, based on images created in 2018 at the 125th Street subway station in New York City. Saar expanded her original project, Hear the Lone Whistle Moan, and created Copacetic, a panoramic scene of imagined dancers, singers, musicians, and patrons enjoying Harlem’s heyday of the 1930s and 40s. Copacetic (the installation) comprises 24 laminated glass panels installed throughout the four glass shelters along the platforms. The upper windows are inspired by the Harlem-125th Street Station’s wrought iron work and designs from the African diaspora. The glass panels were adapted from Saar’s artwork, which as she explains, “gives a nod to the work of the many great African American artists of the Harlem Renaissance that have used the same medium in their practice, such as Elizabeth Catlett, Hale Woodruff and Aaron Douglas.” Saar’s palette of deep reds, blues and yellows introduces a vibrant graphic quality to the platform’s shelters, illuminated by the rising and setting sun over Harlem. Saar’s projects at the Harlem-125th Street Station encourage preservation of Harlem’s great legacy and celebrate its rich history.
  • Item
    Lady's Slipper
    (2002) Eastman, Michael H.
    A single lady's slipper fills the foreground against a forested background.
  • Item
    Ocean Oil Pour
    (2019) Cardelus, Maggie
    Ocean Oil Pour is part of Maggie Cardeuls' 2019 body of work called Split sun which revisits American Landscape Photography using crude oil as a painting medium in order to create evocative works that suggest a new more problematic American Identity brought by the burning and spilling of fossil fuels.
Images featured in this collection are low-resolution thumbnails, intended for quick reference and limited use. These images may be copied for educational, non-commercial, and personal use only.